Robocop: Biting, classic satire on privatisation and corporate control, which seriously didn't need a remake, as it's pretty much all still true today. Although it's not often mentioned in reviews of this film, I'd like to flag up Lewis as another of those believably-strong heroines of 1980s fantastic film, and praise it for showing a man and woman having a professional relationship characterised by mutual respect, without degenerating into cliched romance or annoying patronisation.
Robocop 2: Starts promisingly,
with the police out on strike and Roboscab, being corporate property,
nonetheless carrying on with the crime-fighting. However, the film
rapidly forgets about this and degenerates into a bit of a mess; it's
not without good ideas and entertaining satire (particularly when it's
revealed that the evil corporation is deliberately running the city of
Detroit into the ground to buy it out and operate it privately), but the
villains are annoyingly cartoony, and there's a bit of a
naive-libertarian plotline going (Robocop is given a bunch of ludicrous
politically-correct directives which slow him down, but which he
remedies by erasing all directives from his databank, but nonetheless
carries on doing the right thing because, as we all know, rules and laws
just get in the way of The Good Guys). At least Lewis is still in it.
Movie count for 2014: 7