Moffat-Era Tropes: Troughton-era references. Dead people's personalities surviving as computer programmes. Monsters being kept in fluid-filled glass tanks in a facility of some sort. Companion's boyfriend dies and the Doctor has something to do with resurrecting them. The companion's timeline being mysteriously intertwined with someone else's. Scottish jokes. As numerous people on the Internet pointed out, Missy is yet another iteration of the mysterious, slightly antagonistic older woman with a flirtatious relationship with the Doctor (e.g. River Song). The Doctor getting unexpectedly snogged. “Doctor who?” There's an inside joke when we learn that the Doctor keeps a copy of “The Time-Traveler's Wife” (which Moffat is frequently accused of using as a source rather too often, not least on this blog) in the Tardis.
A Thing in a Thing: An army of Cybermen in St Paul's Cathedral.
The Doctor is A: bit slow on the uptake this week, as he doesn't figure out who the Master is until she flat-out tells him.
|Seriously, she's totally the girl version of this guy.|
The Master Is A: Woman. But most of the audience had figured that out.
Clara Lies About: Nothing. There's something important she hasn't told Danny yet, but the audience don't find out what it is either.
Reasons Clara Should Drop Danny Like A Hot Potato: Because even death is no barrier to his passive-aggression and self-obsession (it also turns out that the thing he's been blaming the officers for is in fact something he screwed up himself-- namely, he sprayed a room with gunfire without checking what was in it and shot a child-- which shows a distinct inability to take responsibility for his own actions).
Child Count: One (dead).
The Thick of It: The Doctor's psychic paper announces him to be a government inspector: “Why is there all this swearing?” Doctor Chang asks, perusing it, and the Doctor answers, “I've got a lot of internalised anger.” Chris Addison is also back.
It's Actually About: The Kubler-Ross stages of grief.